Tag Archives: Miracleman

Listmania part 2: Favorite individual issues

Daredevil #181 “Last Hand” April 1982: Frank Miller was just hitting his stride and the character of Elektra was becoming hugely popular.  I remember picking this one up at the local newsstand and thinking it was just going to be cover hype.  I was already a jaded fan at that point.  By the time I was done reading this I had a new interest in comics.

Justice League of America #0 “Yesterday, Today, Tomorrow” September 2006: This was more like favorite single page.  Each of the short scenes in this story are interesting, but the single page that references Batman’s reaction after Superman was killed by Doomsday redefined the character for me and put a lump in my throat.  You don’t often think of Batman as human and this changed that for me.

The stunning wraparound cover to Mage #14

Mage #14 “…Or Not to be” August 1986:  This was the issue after the series lost the character that was the emotional center of the book and set out the direction for the lead Kevin Matchstick.  Drawing the parallels to King Arthur seemed odd on the first page, but by the last page I could not imagine a time when I couldn’t see them.

Beautiful Stories for Ugly Children #21 “Dances with Cows” February 1991:  There was never a point I didn’t love this forgotten series from Piranha Press (a DC precursor to Vertigo), but this issue was funny and sad and odd all at once.  I really wish they would collect this anthology series in bookshelf volumes.  There is a large amount of creator owned and fringe material that is all but lost to readers now unless they search out the original back-issues.  This series was uneven at times, but so different from what was out there then, and still very readable now, that it could not help but find a new audience today.

Miracleman #22 “Carnival” August 1991:  It is very hard to pick a single issue from this amazing series, and picking a Gaiman issue over a Moore one might be considered a bad choice, but this issue had an emotional core that would resonate with anyone, even people who had not read the preceding 21 issues.  It touched on much of what had come before without ever relying on it and made this a stand-alone issue that really packed an emotional punch.  Now all we need is for these to be reprinted.

Avengers Annual #10 “By Friends — Betrayed!” 1981:  An uninspired Al Milgrom cover (nothing against Al, the cover just didn’t work for the book) covered up the first appearance of Rouge, and began a run of X-Men stories that would see the book rise in sales to be Marvel’s biggest book for many years to come.  The fact that it was in an Avengers book, and that the X-Men are only in a few pages of it messed with my head a bit, but this really is more of an X-book than an Avengers one.  Art by the amazing Michael Golden with inks by Armando Gil gave this book a look that no other book at the time had.  This is collected (finally) in Marvel Masterworks X-Men vol 7 and the Claremont omnibus.  It had been reprinted before, but never in an edition where it really worked, and certainly not as nicely as it is here.

Lord Julius and a “like-a-look”. Cerebus #137

Cerebus #137 (& 138–sort of) “Epilogue” August 1990:  This was a single story that Sim used an issue and a half for, but the first part is the best.  It has never been collected in the phone books since it was a fun filler issue that really does not fit in either the book before it (Jaka’s Story) or the one that followed it (Melmoth), but gives a silly look at Lord Julius and his “like-a-looks”, explaining a lot about the character in a funny way.  It is available ONLY as the original issue(s) or in Cerebus #0 which collected the other in-between issues that are not included in any of the phone books.

Toad Men!?!?

Sensational She-Hulk #2 “Attack of the Terrible Toad Men” June 1989:  The first issue seemed like a fluke or a one-off, but when they did this one I was left in awe of how funny this book really was.  Byrne left the book after issue 8 over a flap with editorial and the book never quite recovered, until his return in issue #31 that is!  Then he left at issue 50 and the decline started all over.  Dan Slott did some fun stuff with Shulkie later, but this series is still the best there has been.

Alpha Flight #12 “… And One Shall Surely Die” July 1984:  I freely admit I was one of the zombies that jumped on this Byrne book when it arrived, and I loved it for the first years’ worth of stories.  Byrne himself has said he never really saw the point of having an AF book, but it didn’t show for most of his time on the book.  This issue was a surprise in every way.  Yes, they advertised that a major character was going to die for weeks in advance, but how often had we heard that before only to see some turd third stringer die?  Yes, death in comics has since become a revolving door plot hammer.  Never in a million years did I think Byrne would GUT the heart out of the team and kill someone as important as that!  Naive of me?  Maybe, but I had not become so jaded at that point and just didn’t see it coming.  This book gave me chills, and still does when I read it.

Uncanny X-Men #186 “Lifedeath” October 1984:  The single most beautifully drawn mainstream issue of the 1980s.  Barry Windsor Smith as inked by Terry Austin was too much for many at the time. It was a challenging story that made me expect more (too much) from my comics after that.

Superman #712 (had to sneak this one in) “Lost Boy: A Tale of Krypto the Superdog” August 2011:  I was never a huge fan of big blue and have only occasionally read his adventures.  What I AM is a dog person.  This was an inventory story used to fill time while the Grounded arc needed to get caught up.  This issue was better than ANY of those.  I defy any dog person out there to not be an emotional wreck after reading this book.

This was a REALLY hard list. To just come up with ten (OK, eleven) was really tough, and if asked in a month I would think that there would be changes.

Feel free to start throwing chair and arguing, but I would really rather see some other people’s lists.



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Oh pleaseopleaseohpleeeeeaaseeee!!!!

There has been movement in the ongoing saga of Miracleman/Marvelman…

With the abandoning of the Miracleman trademark by Todd McFarlane and the registering of the Marvelman trademark by Marvel, there has been a glimmer of hope that this character may return to the pages of a comic book in new stories. 

A bit of history for those not in the know.  The sad thing is that I have followed this since the 80s, and it has only gotten worse up to this point. 

In the mid-50s Fawcett stopped publishing Captain Marvel and the Marvel Family books in response to the completion of the DC copyright infringement lawsuit.  Claiming that the Big Red Cheese was a Superman clone, DC forced them to stop publishing.  That and the drop in sales made them decide that the book was not worth the effort.  In Great Britain, they needed something to fill the void, so Mick Anglo came up with a less than original idea for the Marvelman Family.  Jiggering the origin of the main character some, there was almost no difference in the new books.  Even the art style was a pretty loose copy of the Captain Marvel books.  Much of this material has since been reprinted by Marvel.  The new books were even more popular with the British fans and the books lasted for nearly a decade, ending in 1963. 

The characters lay dormant until 1982, when Warrior magazine started running an updated version of the character by Alan Moore.  It is these stories that have kept the industry interested in the character.  Without Alan Moore, Marvelman would be no more remembered than The Green Llama and other Golden Age has beens.  The Moore version of the character kept almost every part of the stupid 50’s origins and folded them into a much richer and more intelligent tapestry that made sense of the ideas and poked fun at them at the same time.  Complex and powerful serialized stories in Warrior continued until issue 21, when they stopped without completing the story.  Creative issues between Moore and artist Alan Davis coupled with the problems within Warrior cause then end of the series, until 1985 when Eclipse comics started reprinting the Warrior stories, with the name changed to Miracleman to avoid the wrath of Marvel.  They repackaged the stories to fit in a monthly book and MM was suddenly a major title in the US.  Moore’s run ended with number 16, his run completed (new stories continuing where the Warrior ones left off started at issue 7) and now one arc in 3 books. 

Neil Gaiman and Mark Buckingham took over with issue 17, getting all the way up to issue 24 before Eclipse’s financial issues caused the end of publication.  I remember a signing where I met Neil Gaiman.  It was during the Kindly Ones run on Sandman, he and artist Jill Thompson were at a comic shop in Wisconsin.  This was a few months after the last issue had come out and the full picture had not emerged publicly about Eclipse.  When I asked Neil about it, his response was that they were still going to do them as soon as Eclipse started paying them again.  Then that was it.  It was not long after this that the legal issues began to crop up.

The ownership of the character has always been muddled.  When Warrior started the Moore run, everyone thought the rights were fine.  Moore and his artists had a share in ownership and that was that.  But Warrior never owned it officially and Mick Anglo continued to dispute it.  Once Eclipse had it, they too thought they had all the legal bases covered.  They didn’t.  Todd McFarlane bought all of Eclipse’s assets at auction for a song in the hopes of getting MM back in print and creating new stories.  But his engulf and devour style pissed off everyone.  Neil Gaiman sued, and then Marvel got involved on Gaiman’s side. (This partnership gave us the amazing series 1602)  Now mixed up in the legal issues surrounding Spawn and some of the characters Gaiman created for that book, things got even messier. 

Now the status appears to be the above mentioned trademarks, apparently resolved.  Marvel bought the rights to the classic stories, characters and some of the Moore stuff.  The artists still hold the rights to their work.  This may end up being an even bigger issue if Rick Veitch and others choose not to work with Marvel.  So it APPEARS that the main legal hurdles are cleared at this point.  It is just a matter now of getting everyone together.  Gaiman and Buckingham are willing to finish their story.  After that Marvel could have it’s very own Superman in Marvelman.  They need to do whatever they can to make this happen.   Even if they botch up new stuff, the Gaiman run completed will sell HUGE for them.

My main concern if these do see print again is that they are old.  They have been copied and ripped off for decades no.  What was once Alan Moore at the top of his game with a groundbreaking and original story may seem to a younger, more cynical reader to be just more of the same thing that they have seen for years.  Much of what Image and Wildstorm did in the 90s was a rip off of these stories, some blatantly so.  Presented correctly, I think these older stories will be fresh and powerful to new readers, but that is a big IF.  Marvel is not very good at this sort of thing. 

So here’s hoping that the last few cogs in the machine fall into place and get things moving forward.  This is one of those stories that the industry needs to have in print, if only to be able to put it behind them and say that it was resolved for the better.


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Not really a review of The Fish Police

I really was going to do a review of The Fish Police TPB just released by IDW.  Really.  And I Will Talk briefly about it, but as I was going through the new volume, it dawned on me what an amazing year 1986 was for comics.  By 1986 I really mean an area of about 18 months between late 85 and early 87, but deal with it.

The greatest of the 1980s was beginning to fade at Marvel.  While still very good comics, X-Men having just hit #200 (and only really having the 1 main team book and a few so-so spin offs) had started to go off the rails for a little while.  Soon to recover for the home stretch of Claremont’s last few years, the book was getting a little bogged down in its own continuity.  Mostly from the editorial mandates of the new cool idea that was the crossover event.

Uncanny X-Men #213-Alan Davis and Paul Neary art

Uncanny X-Men #198-Barry Windsor-Smith art

Uncanny X-Men #210-John Romita Jr. and Dan Green art


The 3 covers here are huge issues in the myth.  They set up all the great ideas that Claremont had before they were ruined by other writers.  Storm’s character development just kept getting more and more interesting.  The beginnings of the Mutant Massacre storyline.  The start of the meat behind the Wolverine/Sabertooth rivalry, not to mention the first sustained appearance of eventual fan-favorite Psylocke.

Then there is John Byrne’s Fantastic Four.  Not quite what it had been, and coming to and end, but well worth the outrageous cover price of 75 cents!

And the run of Walt Simonson on Thor.


Thor #337- Walt Simonson art


This is arguably the best cover of 1986 and maybe the entire decade.

At DC The New Teen Titans were on a roll and the Crisis was about to reshape the DCU for the next decade.

But The Fish Police was one of the new crop of “independent” books.  Mostly creator owned and published by smaller upstart companies.  The black & while explosion was done and the implosion was about to begin.  Cerebus, by Dave Sim was about to hit issue #100, and Scott McLeod was about to DESTROY!!! New York City in one of the silliest, most enjoyable master classes on how to do a comic ever!

DESTROY!! 1986- Scott McLeod art


The Hairballs TPB. Reprinting the first 4 issues

Cerebus #83 Sept 1986-Dave Sim & Gerhard art



Among the very best was Mage, by Matt Wagner.  Published by Comico and running 15 amazing issue (with a second series to follow over a decade later and another one on the way before I die, I hope), Mage introduced us to Kevin Matchstick, Mirth and Edsel.  An allegorical tale of heroism in the modern world of the 1980s.  It also introduced us to the early work of the fabulous Sam Kieth inking the last 2/3s of the series.

Also available to readers of the great anthology series Epic Illustrated was The Sacred and the Profane by Dean Motter and Ken Stacy.  Collected in early 87, this was a powerful story set in a future where the Catholic Church sets off to colonize space in the name of God.  Also by Motter in 86 was Mister X, another favorite on a lot of top 10 lists.

And then there is a little indie book that no one ever heard of called Watchmen.

Mage #5 wraparound cover-art by Matt Wagner

I know this cover is from 85, but it is just too gorgeous not to put here.

Then there is Miracleman.  Originally called Marvelman, then Miracleman and now Marvelman again.  Probably the one book more messed about by lawyers than any other of the modern era.  Originally a knock-off of Captain Marvel (SHAZAM to you young uns), then revived by Alan Moore as a post modern and kinda moody hero, later done as a re shaper of the world by Neil Gaiman.  This is a book that is in limbo of the legal kind and has been since Eclipse comics went away.  Currently owned by Marvel, they have yet to do anything worthwhile with the character  (like reprinting the Moore and Gaiman run) and I begin to doubt we will ever see this book come back.  Some of the most beautiful art in this series was by John Totleben, who worked with Moore on Swamp Thing also out in 86!


Miracleman #15 art by John Totleben


J.M. DeMatties and Jon J Muth gave us Moonshadow.  This one was something of a Damascus moment for me as I had never seen anything quite like it before.  The story was as much fun fairytale as dark nightmare.  The counterpoint created by the watercolor art made this at the same time very unsettling and remarkably endearing.


Moonshadow #12 Jon J Muth art












And then it all came to a head with Dark Knight Returns.  To reinvent Batman would be tried several times before and since, but nobody has ever managed to capture the pop culture zeitgeist like Frank Miller did with this 4 issue series.

There are just piles of other books, all equally deserving of attention…GrimjackAmerican Flagg! , Nexus and Badger from First comics.  The original run of Love and Rockets and Alan Moore’s Halo Jones.

Just too much fun!


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