Holy Terror! and the “new” realism in comics.

With the official announcement of Holy Terror by Frank Miller coming in September from Legendary Comics, I was wondering if this isn’t a little creepy now.

First off, for anybody not in the loop on this one, Holy Terror started out as Holy Terror, Batman!, a response to what Miller was experiencing in the aftermath of 9/11 from his perspective as a New Yorker living in the middle of it all.  I think just about everyone that heard about it was immediately creeped out by the idea.  The way it was talked about it would be a Batman more like the 60’s TV show than what we have come to expect from Miller.  That against the backdrop of very real terror, seemed to make us all a little uncomfortable.  It seemed, and still seems, that this is Miller’s own personal catharsis.  Well DC never officially signed off on it and it has morphed into an independent creature free of any interference from an editor or a corporation, it is now a hero of Miller’s own creation and done in his own unique style.  Speaking of that style, things are looking very loose.  I know this is the way his stuff has been for a while, but this is really hard to look at…

I'm not even sure what I am looking at here. I see a couple of faces...

 

Don’t get me wrong, I will most likely buy this when it comes out, I alway give Miller the benefit of the doubt.  I don’t always like the stuff (DK2 and most of the Sin City stuff) but for every one of those, there is a Dark Knight Returns or a Daredevil, so it is always worth the look.  I just find this newest step in his art style hard on the eyes.  It is not easy to look at, and that may well be the point.  He has prided himself on fully creating the world his characters live in, and the feel of the book goes a long way toward that.  Maybe that is just another part of the feeling of discomfort he is trying for.  Result!

The preview image, presumably the cover.

 The creepy factor comes in here for me at least, with the idea of costumed heroes combatting realistic terrorism.  I am having trouble putting my finger on exactly what it is…

Maybe the fact that I, like many out there, look at comics as escapism?  Or that the idea of something so brash and colorful fits correctly in that kind of world?  Comics have been trying to grow up now for nearly 3 decades, and I have been watching it happen all that time.  It has failed in as many ways as it has succeeded.  The problem is that the medium still views itself as juvenile entertainment in many ways.  You can only grow up so much when you are still aiming for the teenage audience.  And what change you get is likely to be superficial.  Growth has more often than not taken the form of sex, violence and harsh language.  For examples of this, see most of the Mark Millar Ultimates work.  While not bad comics, some of them are quite good, it is only mature in that it is louder in its approach and more graphic in its depiction of the same subjects.  It is true there is piles of genuinely mature comics and OGNs out there, but Frank Miller has not been associated with it like, say Daniel Clowes or Los Bros. Hernandez and the like.  Maybe that is what I’m afraid of, that he will not have the touch needed to make this more than just another violent comic?  This is a book that COULD be something very special.  It COULD be something akin to Maus or In the Shadow of No Towers.  Something that elevates the level of play and the quality of the discourse on the subject.  He certainly has the skills as a storyteller to pull it off.  Miller has managed to surprise me in the past with unexpected subtlety and a willingness to go places that many would not have attempted.

That is what I hope will be the case here.  Otherwise, it will be just another superficial stab at maturity in comics, and we have far too much of that now.

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One response to “Holy Terror! and the “new” realism in comics.

  1. Pingback: Frank Miller Holy Terror: Review | terminaldrift

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